Noteworthy: the difference between the new edition on good paper with a handsome cover and a grown-up preface and my 1971 paperback, promising on the cover “A Valuable Document of Inner Space” and starting off with a preface by one Mark Engel that observed, inter alia, “The psychedelics are a powerful educational tool.” (And I thought it didn't get better than overhead projectors!) This wasn't the only thing that made us feel that the world had spun on its axis a few times since this book was first published. The delightful or infuriating thing about Bateson is that he was an immensely curious guy who couldn't stop taking models or methods from one domain of knowledge and applying them in other domains-- or in the wrong domain, if you happened to be a denizen of that cubbyhole. He grew up in a naturalist's family, trained as an anthropologist, was interested in Russell's paradox and set theory, and was a member of the great interdisciplinary tag teams assembled under wartime conditions, when the need for speeded-up advances in cryptography, automatic gunnery, and ethnographically-informed intelligence (i.e., theories of the enemy) brought us information theory, systems theory, cybernetics, Norbert Wiener, John von Neumann, cognitive science, the theory of games, and the first computers. Bateson was in the middle of it all, not originating a lot of theory but making very novel applications of the things he heard. He was a seeker after big ideas, drawn by an admiration for models whose generality was such that they could be thought to unify disparate fields. He had a hospitable mind, got along with dolphins and was a natural for the sixties role of guru. (For a return to gurudom and the Big Sur of 1968, you can't do better than to check out the Batesonian II Cybernetic Frontiers by Stewart Brand, yes, him of the Whole Earth Catalog.)
After sixty years, the fields have moved on and the place where there was once a vital contact is now marked only by a ring of stones and some campfire ash. My psychiatrist friends didn't see much to applaud in the Bateson account of schizophrenia as a logical double bind, for example (“brilliant idea, but wrong” said one; “not as bad as Bettelheim, but still” said the other). The philosopher said it took him back to the days when he decided he wasn't interested in Russell or the theory of logical types (“and that's why you had to grow a beard,” said somebody; laughter was delayed and spotty). The anthropologist was leery of the wish to turn the observed detail into an example of cosmic significance, because that's not how ethnographers see their mission any more. As a group, the Gregory Bateson Fan Club we were not.
What accounts for the charm, then, that I seem to be one of the few to feel? To use a Bateson-ish word, metaphor. The guy's habit of flitting among disciplines gives him an inbuilt commitment to analogy. Every metaphor, whatever it says, implies a further optimistic claim about the making of metaphorical connections among the disciplines, whispers to us that there is a larger system of correspondences, if only we know how to discover it. And Bateson had the gift of devising metaphors that are vividly concrete and abstractly suggestive, and have many little hooks and crannies in them that you could rewardingly explore for sub-analogies. I know that my own predilection for such metaphors-- and probably, too, what small knack for crafting them I have-- can be seen as a weakness. One should knuckle down to a specialty and do intensive work only in its domain and on its terms, says Max Weber, if one is to make results that will last; and an analogy that speaks to the imagination may be only as good as the imagination is, therefore not qualified to ascend to the peaks where the air is thinner and the denotations more strictly denotative. Metaphor man is stuck in the middle, in the middle of mediation, and central only for a moment, until traffic reroutes around him.
Cautionary tale, I guess. And yet, what figures old Bateson could come up with. Here's one-- just one-- from a book abounding in them. I hope it will send you back to decide for yourself if the man is a genius of mediation or an insufferable mixer-upper of things best left plain.
Now that is a tremendous metaphor. It doesn't just establish, with a wink and a smile, the possible validity of metaphors in general, but also suggests that the relation of tenor and vehicle may be like that of truck and trailer (or trailer and trailer, and trailer, and trailer...). A friend of mine once told me, whenever he tried to conceive of Absolute Spirit he thought of making puff pastry (where you fold a sheet of dough around a pat of butter over and over until there are 1072 different layers). From now on, I'm afraid I will see a backing convoy of trailers and a tall, white-haired Englishman muttering behind the wheel in the cab of the truck.
Thank you for the cool review. I look forward to continuing. Very interesting